unreliable narrators

Virginia Woolf wrote, “Most commonly we come to books with blurred and divided minds, asking of fiction that it shall be true, of poetry that it shall be false, of biography that it shall be flattering, of history that it shall enforce our own prejudices”(Woolf). I don’t really remember the first time I doubted the opinions of a character in a novel or when I realized that perhaps poetry did not always impart truth, but I do know that all those notions came together in quite a spectacular manner when I read Crime and Punishment. As early as page 2 Dostoyevsky invites readers into his very real and awful world,

The heat in the street was terrible: and the airlessness, the bustle and the plaster, scaffolding, bricks, and dust all about him, and that special Petersburg stench, so familiar to all who are unable to get out of town in summer—all worked painfully upon the young man’s already overwrought nerves. The insufferable stench from the pothouses, which are particularly numerous in that part of the town, and the drunken men whom he met continually, although it was a working day, completed the revolting misery of the picture. An expression of the profoundest disgust gleamed for a moment in the young man’s refined face. He was, by the way, exceptionally handsome, above the average in height, slim, well-built, with beautiful dark eyes and dark brown hair. Soon he sank into deep thought, or more accurately speaking into a complete blankness of mind; he walked along not observing what was about him and not caring to observe it. From time to time, he would mutter something, from the habit of talking to himself, to which he had just confessed. At these moments he would become conscious that his ideas were sometimes in a tangle and that he was very weak; for two days he had scarcely tasted food.

The suspect mind of Raskolnikov was penned with the use of an omniscient point of view, and it is in that murky place that we begin our troubles. This narrator is not to be trusted on any account, his warped and privileged preoccupation with his own superiority clouds his vantage. Yet for many hundreds of pages we are led into his dangerous train of thought.

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Be Here

Although I am ready to lift off into the wild blue I am biding my time just a wee bit longer. I do not make this pronouncement with ease for I’ve been losing steam as of late, but as all the sages remind us, staying present is the best way to live within creativity and joy.

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Carpe Diem

Today I was struck by the sentiment found in Marvell’s “To His Coy Mistress” which, ironically, was published posthumously in 1681. Carpe diem then, and now. Here are the tenets: “Carpe diem is a philosophy that took hold in Europe during and after the Black Death plague (1348-1350). The population had seen so much death and destruction that some people embraced the philosophy that every day is a moment to be made the most of, whether it be to eat or to love. All of life’s pleasures are to be indulged; there is no time for waiting because tomorrow might never appear” (CourseHero). Sounds like the perfect philosophy for life after the black plague, and most certainly the days post COVID19. I think we are universally on the crest of roaring back with fervor once more!

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