unreliable narrators

Virginia Woolf wrote, “Most commonly we come to books with blurred and divided minds, asking of fiction that it shall be true, of poetry that it shall be false, of biography that it shall be flattering, of history that it shall enforce our own prejudices”(Woolf). I don’t really remember the first time I doubted the opinions of a character in a novel or when I realized that perhaps poetry did not always impart truth, but I do know that all those notions came together in quite a spectacular manner when I read Crime and Punishment. As early as page 2 Dostoyevsky invites readers into his very real and awful world,

The heat in the street was terrible: and the airlessness, the bustle and the plaster, scaffolding, bricks, and dust all about him, and that special Petersburg stench, so familiar to all who are unable to get out of town in summer—all worked painfully upon the young man’s already overwrought nerves. The insufferable stench from the pothouses, which are particularly numerous in that part of the town, and the drunken men whom he met continually, although it was a working day, completed the revolting misery of the picture. An expression of the profoundest disgust gleamed for a moment in the young man’s refined face. He was, by the way, exceptionally handsome, above the average in height, slim, well-built, with beautiful dark eyes and dark brown hair. Soon he sank into deep thought, or more accurately speaking into a complete blankness of mind; he walked along not observing what was about him and not caring to observe it. From time to time, he would mutter something, from the habit of talking to himself, to which he had just confessed. At these moments he would become conscious that his ideas were sometimes in a tangle and that he was very weak; for two days he had scarcely tasted food.

The suspect mind of Raskolnikov was penned with the use of an omniscient point of view, and it is in that murky place that we begin our troubles. This narrator is not to be trusted on any account, his warped and privileged preoccupation with his own superiority clouds his vantage. Yet for many hundreds of pages we are led into his dangerous train of thought.

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the end of America

The following italicized remarks (and the title of this post) were spoken by the 45th President, at South Dakota’s 2020 Mount Rushmore Fireworks Celebration in Keystone, South Dakota on July 3rd, to 7,000 unmasked fans, with a dais of dignitaries, including his third wife. These remarks are peppered throughout this post to highlight many efforts (or rather his team of writers’ ideas and the Republican party dictating his campaign) and tactics to win re-election next November, while not discussing unemployment which is at a record high, or COVID 19 when infection cases are running right off the graft in the US. This man is on a course to bring the end of America, not a prosperous, generous, healthy, and united America, nor the one that would make my ancestors proud, but a place of fear and hate and worry for all of us who understand fact and science and reason. But I’ll let him tell you that.

 

Seventeen seventy-six represented the culmination of thousands of years of western civilization and the triumph not only of spirit, but of wisdom, philosophy, and reason.

And yet, as we meet here tonight, there is a growing danger that threatens every blessing our ancestors fought so hard for, struggled, they bled to secure.

Our nation is witnessing a merciless campaign to wipe out our history, defame our heroes, erase our values, and indoctrinate our children.

Patrick Campbell's Flag

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